The Pinelands Creative Workshop, registered Charity #212, was formed in February 1978. The mandate of the organization in its early stages was to unite the Pine community through the common interest of culture. This approach proved to be a successful one, serving to strengthen the community spirit.
Today, the themes of economic and psychological empowerment, cultural consciousness and community mobilization still form a vital part of the PCW’s work. The scope of the Workshop has expanded somewhat, to include many of the low-income communities in Barbados and some of those in the Eastern Caribbean. The PCW is dedicated to maintaining dialogue, especially in terms of poverty, capacity development, economic development and community integration.
Over the last four and a half decades, we have responded to the evolving needs of the community and wider Barbados. Alongside culture, social and economic development was added, allowing for attention to be given to education, economic empowerment, micro enterprise development, climate literacy, NGO development and support to the development of neighboring communities.
Today, the themes of economic and psychological empowerment, cultural consciousness and community mobilization still form a vital part of the PCW’s work. The scope of the Workshop has expanded somewhat, to include many of the low-income communities in Barbados and some of those in the Eastern Caribbean. The PCW is dedicated to maintaining dialogue, especially in terms of poverty, capacity development, economic development and community integration.
Our work spans various societal sectors, particularly cultural, social, and economic, all aimed at combating poverty and enhancing the quality of life for vulnerable communities. We relentlessly champion the creation of social and economic pathways to broaden access to opportunities, reduce gender inequality, and counter social exclusion.
At PCW, we believe in transformational change.
Join us as we continue to inspire, empower, uplift and develop, one citizen, one community, one project at a time.
Maintained a strong commitment to Afro/Caribbean Folk over 45 years, showcased both regionally and internationally.
Extensive tours to countries including Trinidad and Tobago, St. Lucia, Germany, Canada, USA, etc.
Captured 70+ awards, including at the National Independence Festival of Creative Arts (NIFCA) and the Caribbean Cultural Festival in Mexico.
Portfolio includes traditional dance forms like gig, heel and toe, kalinda, bongo, limbo, and more.
PCW has brought various traditional artforms to Barbados and onto to local, regional, and international stages.
A collective of Caribbean grassroots performing arts groups and individuals.
Use of the online Cultural Fusion Online Platform for safeguarding, knowledge sharing, and improved access to students, practitioners, researchers.
Hear from Rodney Grant, Consultant and Artistic Director, as he speaks on where the organization is today and where it started.
Join us in our journey towards creating a better future for our community. Together, we can make a difference.
30+ years’ experience in retail management and involvement with civil society organizations empowering personal positive development and commitment to capacity building for community and nation.
On November 30, 2021, the 55th anniversary of Barbados’ Independence, and the day Barbados transitioned to a Republic, awarded the ‘Silver Trident of Excellence’, a National Honor for: “his strong commitment to seeing Barbados become a place of inclusivity and mutual respect, and his contribution to bridging societal divides in underprivileged communities in Barbados and the region.” Passion and dedication to the further development of Barbados resulted in several appointments, including, Commissioner on the Barbados Constitutional Reform Commission, member of the Republican Status Transition Advisory Committee (2021) and current Chairman of the National Non-Communicable Diseases (NCD) Commission. Appointed a Justice of the Peace in 2010.
Suleiman Bulbulia is a graduate of the University of the West Indies in Management Studies, Muslim Chaplain at the Cave Hill Campus, former Chair of the Childhood Obesity Prevention Coalition, and immediate past Secretary of the
Barbados Muslim Association.
Currently deputy Chair of the St. Michael School Board, a member of the Intangible Cultural Heritage Committee, Pinelands Creative Workshop, and the Enslaved Burial Ground at Newton Development Committee and a guest lecturer on faith and diverse cultures at the Regional Police Training Centre, the Cave Hill Campus, and other educational institutions.
Algernon L Yearwood has spent his entire work life in the financial sector. His last role was a Chief Operations Officer at the second largest credit union in Barbados for 35 years.
In his capacity of Chief Operation Officer, he provided leadership and overall operational management ensuring effective operational and administrative control as well as adherence to required reporting procedures. In addition, Algernon alongside the Board, chief executive officer and chief financial officer has been instrumental to designing and implementation of varied marketing strategies and action plans geared towards expanding membership and loan portfolios. The capabilities of Algernon are extensive, ranging from performance evaluations to staff development and management.
In addition to being a renowned theatre practitioner, Algernon L Yearwood from 2018 to present has served as a member of the Board of Directors of the National Cultural Foundation and a Board Member of the Pinelands Creative Workshop from 2018.
He holds a Master Degree in Business Administration from the University of the West Indies, Barbados and certification in Small Business Facilitation Strategies, Enterprise Risk Management and Risk Management for Improved Business Performance, to name a few.
Introducing Sophia Greaves, a dynamic force at the Pinelands Creative Workshop (PCW) and an expert in social, self-development, and business development programs. As the Special Projects Director of the Marcus Garvey Resource & Development Centre and the School of the Arts, Sophia has been instrumental in shaping PCW’s social development and arts education initiatives.
Sophia joined the PCW team in 1992 as Executive Secretary to the Executive Director, and in her tenure of over two decades, she has donned many roles, moving seamlessly between Special Projects Director, Camp Director, and Producer. Her portfolio boasts a wide array of local and regional projects, including the mammoth task of producing the “I Am That I am – The Legacy” multimedia production and the 2016 Theatre Production “Mirror Image”.
In every role, Sophia brings to the table her expertise in event planning, social engineering, administrative management, NGO and project management, community mobilization and development, and program conceptualization, implementation, and management. She believes that every production offers valuable takeaways for its audience, from a deeper understanding of self to an altered perspective on varied social issues.
Sophia’s work extends beyond PCW. As Special Project Director, she has managed development programs and projects focusing on economic empowerment, cultural preservation, and human capital development. She has also provided service to UNDP, UNICEF, UNESCO, UNIFEM, and OAS, offering practical recommendations using the PCW model for the rehabilitation of urban communities in the OECS.
Sophia is a Certified Administrative Manager and Event Planner, a Project Management Associate, and holds an MBA in Business Psychology from the University of South Wales. She is a member of the Canadian Institute of Certified Administrative Managers (CICAM) and the Alumni of the Canada Caribbean Emerging Global Leaders Dialogue.
Sophia Greaves is not just a producer; she is a leader, a change-maker, and an invaluable part of the PCW family. Her work embodies her belief in the transformative power of arts and social development programs, making her a true asset to PCW and the communities it serves.
Meet Shelly Durant-Forde, the Chief Choreographer of the Pinelands Creative Workshop in Barbados. With an impressive career spanning over 32 years, Shelly, or ‘Auntie Shelly’ as she is warmly known, is a respected authority on Afro Caribbean Folk forms, sharing her knowledge and expertise on community, national, regional, and international platforms.
Shelly’s journey began under the guidance of esteemed experts like Ms. Persuad-Piggott, the National Cultural Foundation, Sheila Barnett, Rachel Springer, and Mr. Rodney Grant, the resident Artistic Director for the Pinelands Creative Workshop.
Her choreographic journey began at the tender age of 14 with her debut piece “Game Song”. Since then, she has extended her creative reach to numerous primary and secondary schools across Barbados, spreading her passion for dance and sparking inspiration in young minds.
In 2011, her talent was recognized when she received the award for the Most Promising Presentation of the Landship Dance at NIFCA. This was followed by several other award-winning pieces that showcased various Afro Caribbean artforms, such as “Ole Time Wedding”, “Bele”, “Limbo”, “Afro-Ship”, “Dance Hall” and “Hard Knock Life”.
Shelly has led the choreography for significant national events, including the 50th Anniversary of Independence, the opening of CARIFESTA in 2017, numerous Opening Galas for Crop Over, and the 200-person mass landship/maypole presentation for the transition to a Republic in 2021.
As part of her commitment to professionalizing the cultural sector, Shelly has contributed to the development of the National Vocational Qualification (NVQ) in Dance Instruction Level 2 and Dance Choreography Level 3, approved by The Technical and Vocational Education and Training (TVET) Council. In 2021, she completed the Level 4 Assessor training with TVET, further cementing her place as a leading figure in the field.
Shelly Durant-Forde is more than a choreographer; she is a mentor, a leader, and an ambassador for Afro Caribbean Folk forms. Her upcoming involvement in the educational documentary “Keeping the Folk Alive” set to release in 2023, promises to be another significant contribution to preserving and promoting cultural heritage.
Rodney Grant, a beacon of cultural vigor and a stalwart advocate for societal development, has dedicated his life to nurturing the arts and championing social change. As a seasoned Cultural Practitioner, he has harnessed the power of artistic expression to reach young minds and shape their growth through innovative programs.
As the former Chief Executive Officer of the Pinelands Creative Workshop (PCW), Rodney’s vision extended beyond the organization, collaborating with various regional and international bodies to develop initiatives aimed at supporting the vulnerable within our society.
Since 1987, he has been the creative force behind all full-length multimedia productions of PCW. His works such as ‘Sing De Banja’, ‘I am That I Am – The Legacy’, ‘Mirror Image’, ‘Dan is the Man in the Van’, and the thought-provoking 2018 season of the Arts production “Out of Nazareth” demonstrate his unerring ability to delve deep into the psyche and provoke introspection among audiences.
But Rodney’s expertise extends beyond the realm of the arts. He has established himself as a Development Specialist, having conceptualized numerous development activities that span sports, culture, education, and social development over the past three decades. His network of collaboration includes renowned International Organizations like UNICEF, UNIFEM, UNESCO, UNDP, OAS, Commonwealth Foundation, Oxfam GB, and IAF. Together, they have implemented projects focused on social, cultural, and economic upliftment for low-income communities in Barbados and the region.
A steadfast advocate for inclusion, Rodney has spent over 40 years ensuring that no one gets left behind. He continues to work tirelessly to ensure that the vulnerable are neither forgotten nor disadvantaged. His dedication and unwavering commitment make him not just an asset to our community, but a beacon of hope for those he serves.
Meet Wayne “Parks” Riley, a seasoned actor turned Stage Manager, and the Technical Director of Pinelands Creative Workshop (PCW).
Wayne’s journey with PCW began in 1978 as an actor, captivating audiences with his performances in every dramatic production the organization has staged. From “Bussa,” “Snakes and Grasshoppers,” to “Nigger Yard,” Wayne’s acting prowess shone brightly on stage.
Over time, Wayne discovered another passion – stage management. Applying the same professionalism and efficiency he demonstrated as an actor, he transitioned seamlessly into this new role. Today, Wayne holds the respected title of Supervisor for Stage Management with DB Productions Inc.
With his extensive knowledge and unique skills, Wayne ensures the seamless execution of every event, be it NIFCA, Pride of Barbados, Jazz Festival, Caribbean Film Festival, Carifesta-St Kitts, or the Barbados Music Awards.
Under Wayne’s watchful eye, each production unfolds flawlessly, providing audiences with a professionally managed and unforgettable experience. His commitment to excellence is not just about managing what happens behind the scenes; it’s about creating moments of magic on stage.
Wayne “Parks” Riley is more than a Technical Director/Stage Manager; he is a dedicated artist, a mentor, and an invaluable member of the PCW family.
Curtis Gittens has been a member of Pinelands Creative Workshop (PCW) from 1994 to present. He serves as the Executive Assistant to the Financial Officer along with assisting in the coordination of cultural activities while undertaking the responsibility of archiving the cultural assets and all performances and social activities of the organization. Prior to joining PCW, Curtis’ early introduction to NGO life, was with the St. Barnabas 4H club between 1978 – 1990.
His performance career with the organization has been one that continues to evolved with Curtis becoming a principle actor and singer in several of the annual multimedia productions staged by the organization. He has continued to grace the stage in either capacity at NIFCA, in local commercial and charitable performances as well as on regional and international platforms.
Curtis also continues to give back. He shares his talents and years of experience as a tutor in drama within many of the community outreach programs and corporate initiatives providing support to the Barbados Public Workers Thrift Club Summer Camp, the Ministry of Youth Summer Camp and Community Cultural Programs, just to name a few.
As a trained facilitator, Curtis has delivered training in the early years of the PCW’s Career and Life Management Program for Schools, and to the GIVE program for public workers hosted by the Ministry of Labour, as well as T2S program for first form secondary students, hosted by the HIV/AIDS Commission.
Meet Kimberley Jordan, a seasoned artist with an unwavering passion for dance and creativity. As a dedicated member of the Pinelands Creative Workshop (PCW) for 33 years, she has adorned many roles – a dancer, dramatist, drummer, stiltwalker, singer, and choreographer, cultivating a rich and diverse artistic career.
Kimberley’s journey with PCW began at the tender age of eight when she had the privilege to perform alongside Richild Springer. Now, her impressive repertoire spans over two decades of choreography, earning her prestigious accolades such as the Madam Ifill Award and numerous NIFCA gold and bronze awards. Her creative vision has illuminated National events, mixed group performances, and crop over events.
Her expertise extends to judging dance, a role she undertook for a decade with Community Development for Dance Fest. As part of the PCW Creative Team, she has contributed to the NCF’s Community Landship Project, delivering training in landship and maypole.
For 23 years, Kimberley has been the resident dance tutor at PCW, nurturing the talent of students aged 3 to 50. Simultaneously, she adeptly coordinates the Social Event Committee at PCW, demonstrating her leadership capabilities.
In 2022, Kimberley added another feather to her cap by completing her Level 4 Assessor certification. Her commitment to continuous learning and growth is a testament to her dedication to her craft and her community.
Kimberley Jordan is more than an artist; she is a mentor, a leader, and an inspiration, embodying the spirit and values of the Pinelands Creative Workshop.
Nadia Mitchell-Gittens is a celebrated artist and a cherished member of the Pinelands Creative Workshop (PCW) for over three decades. Her artistic journey spans across various roles – dancer, drummer, singer, dramatist, stilt walker, tutor, and choreographer, each role performed with remarkable proficiency and passion.
Nadia’s expertise has been recognized and utilized in numerous prestigious platforms. She served as a Dance Judge for the National Independence Festival of Creative Arts (NIFCA) from 2003-2018, and for the Community Dance Fest Competition from 2005-2017, even ascending to the position of Chief Judge in 2017-2018.
Her talent has shone brightly on stage in several multimedia productions, taking lead roles in renowned PCW productions like “When Night Turns to Day,” “Mirror Image,” “Dan is the Man,” and “Out of Nazareth.” She also starred in “Stella’s the Devil Kiss,” directed by Patrick Foster.
Nadia’s passion for teaching is evident in her work as a Theatre Arts teacher at Parkinson Memorial Secondary School, as a tutor at the Chandler School and Learning Centre, and her involvement in the PCW Creative Team. Here, she co-created the mass performance for Barbados’ transition to a Republic and delivered training as part of the NCF’s Community Landship Project.
In 2022, Nadia expanded her skills further by completing a Level 4 Assessor course with the TVET Council as part of PCW’s Internal Capacity Development Program.
Nadia’s talent has taken her across the globe, performing and representing PCW and Barbados in countries like Germany, Canada, Mexico, and the United States under the auspices of the Barbados Tourism Authority.
Nadia Mitchell-Gittens is not just an artist; she is a mentor, a leader, an inspiration, and a role model, striving to bring a renewed freshness to society and guiding others in their pursuit of their goals.
Meet Tracy Gittens, an accomplished dancer and proud member of the Pinelands Creative Workshop (PCW) for over three decades. Tracy’s artistic journey began with the Barbados Dance Theatre, but it was the allure of drums that drew her to PCW and transformed her from a spectator to a performer.
From her early days performing in the renowned “1627 and All That” dinner show, Tracy has graced stages across Mexico, Canada, and the English-speaking Caribbean region. Her talent has lit up numerous local hotels and public, private, national, and charitable events/shows, earning her recognition and respect in the dance community.
But Tracy is more than just a performer. She is an ambassador for PCW and Afro Caribbean Dance forms. As a tutor, she has shared her rich knowledge with aspiring dancers and artists. Recently, she had the honor of being a part of the PCW creative team, delivering training in landship and maypole as part of the NCF’s Community Landship Project. She also co-created rich choreographies for the opening of Carifesta and to recognize Barbados’ transition to a Republic.
In 2022, Tracy furthered her professional development by successfully completing the TVET Council level 4 assessor in Dance and Choreography as part of the Internal Development Program.
Tracy Gittens is not just a dancer; she is an educator, an ambassador, and a cherished part of PCW’s history. She stands as a testament to the spirit of creativity, passion, and dedication that defines the Pinelands Creative Workshop.
